Six to ten people decide a B2B deal. Each one needs something different. Upload what you already own and get a version for every one of them.
assets/hero.mp4 + hero.webp
1600×1000 (16:10), silent loop, under 4 MB. One webinar going in and finished assets coming out, in the real app.Everything below was made in DesignTech for Gosling Media from its own website and Brand Kit: its fonts, colours, logo and voice. Nothing here is a mock-up.
One Brand Kit. Every piece in the same fonts, colours and voice.
Dozens of assets, eight channels, every quarter, in a brand that can't drift. The competitor who seems to ship all that by hand isn't working harder than you. They're not doing it by hand.
Everyone liked it. Then the CFO never got the payback number, the champion had nothing to forward, and it is still “under review.”
Three weeks on a deck. Two more on carousels a competitor already shipped. The thinking was done on day one.
Strategy is worth agency money. Resizing the same ad eight ways isn't — and that half of the retainer grows every year.
Every quarter spent producing is a quarter not spent selling.
Not a chat window you re-brief every morning, and not a template library. Everything you have ever given it stays, read down to the stat, the quote, the slide and the scene. Everything it makes comes back in your brand, finished, in the format the channel wants. Five jobs, shown in the Studio itself.
Preview · coming soon
Everything you bring in is read down to the stat, the quote, the slide and the scene, and kept. Nothing is uploaded twice. Every brief starts from everything you've ever given it, and a new version for a new persona costs one sentence.
The webinar you brought in for a launch is still there for next quarter’s carousel, the case study, the sales deck. One upload, every asset that comes after it.
A figure in an ad stays linked to the slide it came from, so you can check it before it goes out. When the number moves, every asset built on it is flagged, with exactly what changed.
Every file, every approval and every finished asset makes the graph richer. The tenth campaign takes a fraction of the briefing the first one did.
A B2B decision is made by six to ten people who each want something different, and the deal stalls on whichever one of them never got the thing they needed. The graph already holds the source, so the version for each of them is a brief, not a project.
CFO, VP Finance
CISO, Head of Eng
The team who will use it
The people who say no
The person selling it for you, inside.
Change the claim once, at the source, and every persona’s version built on it is flagged with exactly what changed. Review the refreshed copy, approve it, and the CFO’s number and the champion’s deck stay in step.
Chat tools write. Design tools lay out. Neither holds your brand, your content or your committee — and that is most of the work.
Swipe to compare
| Capability | DesignTech AI | General AI assistants | Template design tools |
|---|---|---|---|
| What it is built to make | Every marketing asset — video, audio, web, email, social, sales and print | Text, documents and images, with video in separate products | Graphics, decks and social posts from templates |
| Your brand, enforced | A governed brand system built from your own material, applied as every asset renders | Style instructions, re-stated in every chat or project | Brand kit of fonts, colors and logos |
| Remembers what you gave it | A knowledge graph of every upload, down to the stat, quote, slide and scene — uploaded once, used forever | Chat memory and per-project files, re-read each session | An asset folder; nothing is read for meaning |
| Video, voice and music | Generated, edited and captioned in the same workspace | Some of it, each in a separate product | Stock libraries and simple edits |
| Ready to go out | Every asset arrives as the finished file, sized and named for the channel it is going to | Whatever the chat hands back, resized by hand | Export presets per template |
| Doing it again next quarter | The brief, the sources and the approvals are kept, so the campaign reruns | A new chat, from the top | Duplicate the template |
Compared on what each product publicly offers for marketing production as of September 2026. Products change; if something here is out of date, tell us and we will correct it.
Under the hood, the right engine per medium — Claude, GPT Image, FLUX, Google, ElevenLabs, PixVerse and MiniMax — swapped as better ones ship, each under commercial terms that don't let the provider train on your content.
This isn't a lab’s idea of what marketing production looks like. It is one practitioner’s discipline, compiled: the same standards, the same review, at a speed a human team can't match. Why we built it.
“We had years of reports and webinars doing nothing. Now one of them becomes a carousel, an email and a deck in an afternoon.”
“We’ve got strict brand rules and a lot of people making things. DesignTech is the first tool where the output comes back already inside the guardrails instead of needing to be pulled back into them.”
That is two customers, not a wall of them. The customer base today is early, and dressing that up is the fastest way to lose the kind of buyer this was built for. So here is the rest of the proof, all of it checkable before you speak to anybody:
“Every client has their own brand system and we used to hold all of that in people’s heads. Now it’s held in the platform and the work comes back right the first time.”
Low-end agency rates, from twenty years of quoting this work. An illustration, not a quote.
$80 a month
No retainer, no seats. $80 a month buys 10,000 credits, 125 to the dollar; or pay as you go at 100 credits to the dollar, from $50. Talking to the Studio is free: you pay only for what it makes, at what making it actually used.
None of the risk is yours.
No card, no demo gate.
A deck, a PDF, a webinar, your homepage.